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Wednesday, February 5, 2020

Viola Davis and others thank Joaquin Phoenix for his BAFTA speech

Viola Davis is here for Joaquin Phoenix’s BAFTA speech where he drew attention to “systemic racism” in the film industry.

READ MORE: ‘Joker’ star Joaquin Phoenix blasts ‘systemic racism’ in film industry during BAFTAs speech

Davis, who won a British Academy Film Award in 2017 for her role in Fences, thanked Phoenix for his “honesty, solidarity and courage,” according to a tweet she posted before adding “well done.”

Director Lulu Wang, who made The Farewell, also thanked Phoenix for his stand, as did Alma Har’el, director of last year’s film Honey Boy, who tweeted: “Correct me if I’m wrong but this is the first time… In a long time… I see a white man use the stage he’s given to say what we all need to hear. We mostly hear women speak up and this is encouraging and will help our work. Thank you Joaquin.”

LaToya Morgan, writer for Shameless and The Walking Dead, said Phoenix demonstrated for others “how you use your time & platform. Well said, Joaquin. Well said,” according to her tweet.:

Phoenix won the best actor award for his portrayal of the Joker at this year’s British Academy Film Awards and when he came up to the podium to accept his award, he unleashed on the lack of diversity of those nominated for awards. He said while he was “honored” to be presented with the award, he was also “conflicted” about other deserving actors and actresses of color who were ignored by the academy.

“I think that we send a very clear message to people of color that you’re not welcome here. I think that’s the message that we’re sending to people that have contributed so much to our medium and our industry and in ways that we benefit from,” Phoenix said.

READ MORE: Joaquin Phoenix fans came for Beyoncé on social media for not standing when he won a Golden Globe

When the British Academy announced this year’s nominees, there were no actors or actresses of color in the four-film lead or supporting actor or actress categories. Additionally, the British Academy failed to nominate a single female director, leaving five white men vying for the title.

The Oscar nominees followed the same disturbing trend, with mostly white men leading each of the major award categories.

The post Viola Davis and others thank Joaquin Phoenix for his BAFTA speech appeared first on TheGrio.



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Disney Shelled out $75 Million for the Right to Bring ‘Hamilton’ to Theaters and Streaming Platform

Hamilton Disney

Disney is bringing Lin-Manuel Miranda’s Hamilton to the masses. The iconic Broadway hip-hop musical is heading to the big screen thanks to Walt Disney Studios, which will release a film version with Hamilton’s original cast in 2021.

Walt Disney Studios announced the news on Twitter.

The film isn’t an adaption of the play, but an actual recording of the play, which was captured in 2016. Disney reportedly paid $75 million for the global rights to the finished film.

Lin-Manuel Miranda created an unforgettable theater experience and a true cultural phenomenon, and it was for good reason that Hamilton was hailed as an astonishing work of art. All who saw it with the original cast will never forget that singular experience,” Disney chairman Robert Iger told The Hollywood Reporter in a statement. “And we’re thrilled to have the opportunity to share this same Broadway experience with millions of people around the world.”

“I fell in love with musical storytelling growing up with the legendary Howard Ashman-Alan Menken Disney collaborations — The Little MermaidBeauty and The BeastAladdin,” said Miranda. “I’m so proud of what Tommy Kail has been able to capture in this filmed version of Hamilton — a live theatrical experience that feels just as immediate in your local movie theater. We’re excited to partner with Disney to bring the original Broadway company of Hamilton to the largest audience possible.”

Thomas Kail, a producer of Hamilton, said: “We are thrilled for fans of the show, and new audiences across the world, to experience what it was like on stage, and in the audience, when we shot this at The Richard Rodgers Theatre on Broadway in June of 2016. We wanted to give everyone the same seat, which is what this film can provide.”

Miranda stars as Alexander Hamilton, alongside Leslie Odom Jr. as Aaron Burr; Phillipa Soo as Eliza Hamilton; Renee Elise Goldsberry as Angelica Schuyler; Daveed Diggs as Marquis de Lafayette and Thomas Jefferson; Christopher Jackson as George Washington; Jonathan Groff as King George; Okieriete Onaodowan as Hercules Mulligan and James Madison; Anthony Ramos as John Laurens and Philip Hamilton; and Jasmine Cephas Jones as Peggy Schuyler and Maria Reynolds.



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5 Best Sunrise Alarm Clocks (2020): Homelabs, Philips, Casper

No bedroom window? No problem. These sun simulators might just make it easier to wake up and catch z's.

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The Terrifying Science Behind the Locust Plagues of Africa

With hundreds of billions of locusts tearing through farmland, it’s the worst outbreak to strike the region in decades.

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15 Best Bluetooth Speakers (2020): Ultimate Ears, JBL, Sonos

These are our favorite portable Bluetooth speakers of all shapes and sizes, from waterproof clip-ons to a massive boombox.

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By not standing, Jay-Z and Beyoncé were not protesting the ‘Star Spangled Banner’

Jay-Z says he and Beyoncé were not protesting the National Anthem when they remained seated during Demi Lovato’s Super Bowl performance, they were working.

Jay addressed the controversy at Columbia University on Tuesday when he was asked by a professor if the move was done to “convey a signal,” to which Jay replied “it actually wasn’t. Sorry.” He said he, Bey and Blue Ivy were seated because they were honed in on Demi’s performance, reported TMZ.

READ MORE: Jay-Z and Beyoncé did not stand for the National Anthem during Super Bowl

“We immediately jumped into artist mode,” Jay-Z said.

According to Jigga, Beyoncé told him she was thinking about what was going through Demi’s mind in the seconds before she started singing. For Jay, he was thinking about the equipment.

“I’m really just looking at the show. The mics start. Was it too low to start?” Jay said he was focused on all aspects of the audio supporting Demi’s performance.

As the new head of entertainment for the league, Jay-Z’s Roc Nation partnered with the NFL and Pepsi to bring the Super Bowl performances, which also included Yolanda Adams singing “America the Beautiful” and Jennifer Lopez and Shakira who co-headlined a high-energy Super Bowl Halftime Show.

Jay told the Columbia professor that there was no need for a “silent protest” because, through entertainment, the league was “making the biggest loudest protest of all” by choosing a slate of diverse artists to perform, reported TMZ.

For what it’s worth, Jay also thought it funny that people would think Blue Ivy was in on the plot, saying it would be impossible for his 8-year-old to fake like she was playing it cool, particularly on camera.

READ MORE: Wendy Williams slams Beyoncé & Jay-Z for not standing during National Anthem at Super Bowl

Since Jay partnered with the NFL, he has also partly sponsored some new PSAs that have rolled out that spotlight police brutality, racism, the criminal justice system and other important causes, however, Colin Kaepernick still hasn’t been signed to a team.

The post By not standing, Jay-Z and Beyoncé were not protesting the ‘Star Spangled Banner’ appeared first on TheGrio.



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Nancy Pelosi shreds Donald Trump’s State of the Union speech. Right there on the podium.

By LAURIE KELLMAN and LISA MASCARO Associated Press
WASHINGTON (AP) — And then she tore up the speech.
No sooner had President Donald Trump finished his State of the Union address than House Speaker Pelosi ripped the paper it was printed on in two.

Right there, on camera, behind Trump’s back. As he stepped down, she ripped again. Then a third time. And a fourth. If Trump knew about the American carnage going on behind him, he didn’t react as he left. But Pelosi was on her turf, with a deep understanding of her audience — and she wasn’t finished. In case any confusion remained, Pelosi held up what remained of the address to her family in the gallery, in full view of reporters.

“It was a manifesto of mistruths,” Pelosi told reporters as she left the Capitol. The ripping was not planned, according to a person close to the Democratic speaker who was unauthorized to speak publicly.

Republicans dismissed her display, on the eve of Trump’s acquittal in the Senate impeachment trial, as a tantrum.

“She might as well rip up any plans for attracting independent voters,” Trump campaign spokesman Tim Murtaugh said. “Pelosi and the Democrats sat on their hands through all of the good news for Americans in that speech.”

“This speech was about American heroes and American workers,” tweeted Steve Scalise of Louisiana, the Republican vote-counter. “She decided THAT was worth literally tearing apart.”

Tearing the speech gave Pelosi the last visual word over Trump, who had spoken to the House from a position of strength. He arrived in the chamber with the full force of the Republican Party behind him. She is leading a party in the throes of a divisive presidential nomination fight that had botched the kickoff Iowa caucuses only the night before. The House had impeached Trump on her watch. But the Senate was poised to acquit him.
From the start, the event was awkward because the history between those two was so icy. They had not spoken since October, when Pelosi pointed at Trump over a White House conference table, suggested that Russia controls him and walked out.

Now, Trump was returning to the very chamber where he was impeached, standing before the same Democrats who have called him unfit for office and sought to oust him. He stepped to the podium and handed navy blue folders containing his speech to Pelosi and Vice President Mike Pence. Photos from that moment show that Trump mistakenly handed Pence’s copy to Pelosi. The outside reads in gold letters: “The President of the Senate of the United States.” That’s Pence’s title.

At that moment, Pelosi extended a hand. Trump did not acknowledge it, instead turning around to begin his speech.

Pelosi, famous for casting shade, especially on Trump, gave a look.
For 78 minutes, Trump went on to extol a “Great American Comeback” on his watch, just three years after he took office decrying a land of “American carnage” under his predecessor. Pelosi read through her copy as he spoke.

Trump bestowed the Medal of Freedom on Rush Limbaugh to raucous applause and a glum reception from House Democrats.

“My fellow Americans, the best is yet to come,” he finished.

Pelosi had already gathered the papers for her big ripping finish, which she later said was “the courteous thing to do, considering the alternative.”

The moment was a less joyful echo of last year’s State of the Union, when Pelosi stole the show with a smirk-and-clap, eye to eye with Trump. Then, Democrats were triumphant after election gains that flipped the House from Republican control and put Pelosi back in the speaker’s chair.

That night, Rep. Alexandria Ocasio-Cortez arrived on the scene wearing a white caped pantsuit and sat prominently at the center of the Democratic section. Tuesday night, on the eve of Trump’s acquittal, the congresswoman skipped the speech altogether.

“After much deliberation, I have decided that I will not use my presence at a state ceremony to normalize Trump’s lawless conduct & subversion of the Constitution,” Ocasio-Cortez tweeted a few hours before the speech. “None of this is normal, and I will not legitimize it.”
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Follow Kellman and Mascaro on Twitter at http://www.twitter.com/APLaurieKellman and http://twitter.com/LisaMascaro
___
This story has been corrected to show Limbaugh was given the Medal of Freedom, not the Medal of Honor.

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Meet The Transformative Business Leader Preparing Chicago’s Students Of Color For ‘The Fourth Industrial Revolution’

Chicago Pyllis Lockett

Phyllis Lockett is a transformative force in public education.

As CEO of Chicago-based LEAP Innovations, this bold business leader has developed an organization working directly with educators and experts nationwide “to pilot, research and scale” personalized learning technologies and unique approaches within classrooms and outside learning platforms. Says Lockett of her goal: “As you know, education has been the pathway for African Americans’ access to freedom and the American dream. I started LEAP because I wanted to command resources to rethink how learning can be redesigned to enable more of our students to be competitive in this fourth industrial revolution.”

She is perfectly suited for this mammoth undertaking. The Chicago native hails from a multi-generational family of educators, which started with a great grandfather born into slavery and extended to both parents who served as teachers for the Chicago Public School system that she attended. Earning a degree in industrial engineering from Purdue University and a Master’s from Northwestern University’s J.L. Kellogg Graduate School of Management, she held marketing, sales, and business development positions at such major corporations as IBM, Kraft Foods, and General Mills.

When she returned to Chicago and visited her grandparents’ neighborhood years ago, Lockett says she was struck with an “a-ha moment” that led to her to marry her business chops with her renewed sense of community service. As a result, she became involved with the Civic Committee of the Commercial Club of Chicago, a phalanx of CEOs dedicated to advancing local economic development and education, among other areas, and then took the position of president and CEO for New Schools For Chicago, raising more than $70 million to open 80 new schools in high-need Chicago communities.

Her visionary zeal and experiences led to the creation of LEAP, which currently serves more than 140 schools. Using the four-step LEAP Learning Framework—define, develop, pilot and measure—has had a demonstrative impact on students, teachers, and administrators. In fact, LEAP has been so effective in the Chicago Metro that Lockett has “codified some of our resources and tools that are being used across about 17 states and organizations in the country. We’re looking at how to help more educators in the pre-service space, as well as practicing educators, develop their competencies in this new learning system.

LEAP is also focused on equity in education. Using the hashtag #EdEquity, the organization has partnered with New America to bring together educators, researchers, and advocates on Feb. 6 for a special forum to explore how inclusive teaching practices and innovative instructional models can help educators in the PreK-12 system “overcome implicit biases in the classroom, raise expectations for students of all backgrounds, and prepare all students to succeed in today’s increasingly dynamic world.”

As part of our BLACK ENTERPRISE C-Suite Interview Series, Chief Content Officer Derek T. Dingle talked with Lockett, who is a board member of CME Group and a member of the BE Registry of Corporate Directors, about LEAP’s organizational evolution and driving a diverse pipeline for the 21st-century workplace. The following are edited excerpts from that conversation:

 

A More Targeted, Dynamic Learning Approach

In designing innovative programs for education, one size does not fit all. With that said, how do you effectively replicate the personalized instruction model from school to school?

Every student has a pathway tailored to [their] needs, interests, and strengths. That learning has to enable agency. We talk about this construct we call “learner led,’ where we are enabling learners to co-design and set goals with their educator. They have choice in their learning. We’re building their confidence to get their problem solved and take ownership and agency for their learning.

We are “learner demonstrated,” which is focused on competency-based approaches. This is the part about the notion of a high-stakes task is really defining the capacity of a learner. It’s really about learners having multiple ways of showing what they know. If learners are demonstrating that they have mastery, they can move on, and they don’t have to wait for the rest of the class. If they need more time, they can take it.

What are other aspects of this approach?

The next is being “learner connected.” That is connecting students to relevant learning experiences beyond the classroom. We’ve translated those into teaching and learning practices, where we have worked with over 140 schools across Chicago to implement with educators, to shift their practice. You can imagine how we grew up, one teacher teaching 30 students. In most U.S. classrooms we have students who are at a six proficiency level. The notion that we can have one educator to tailor to the learning of every single student is really hard. We are shifting educator practice and their roles. We’re also enabling this through a pilot network and helping schools redesign their entire constructs, to be able to deliver learning in this way. We’re leveraging technologies in math and literacy that enable educators to access data in real-time, so they are better equipped to pinpoint a specific need that a student has. It’s a much more targeted, dynamic learning approach.

How do you target schools you’re going to work with and get them to embrace this collaborative model?

We knew a couple of things. No. 1, principals had to buy into the new construct. We also knew that top-down never works. We needed this to be a collaborative approach with the educators at the table with the principal leader, co-designing this experience.

We started small. Some of those early adopters started with four to six classrooms at a time in [one] school. We worked with those educators for six months initially to unpack the realism that they aren’t tailoring learning to every student. Lots of folks come to our professional learning with the idea that “I know my kids. I’m differentiating for every single student.” We have them literally walk in the shoes of their students…walk home with them, engage with parents, sit down and talk to the students about what’s going on with them.

A full engagement approach?

Yes. Real in-depth engagement. They journal this learning journey. They come back with the admission, “Wow, I really didn’t know my kids.” That really helps to engage the educators and principals around this journey as well as shape the communities that they’re serving with the students that they’re serving. They’re really the experts if you will, that’s given the opportunity to redesign the experience. That’s how we got it going.

[There has also been] higher teacher engagement and satisfaction in their jobs. It turned into wildfire in Chicago, such that Chicago Public Schools established an Office of Personalized Learning. We believe that this is igniting what educators have the money to do for a long time. I have 30 vetted educators telling me that they will never go back to the old way of teaching again and they’ve rediscovered their love for teaching. They’re inspired with the way our students are engaged.

Instilling Students With Learning Agility In Preparation For The Unknown

What has been the impact on students?

The results have been pretty extraordinary when you consider student engagement, reduction in suspensions, increased attendance. It is a demonstrable difference in the thrill of learning, the passion for learning. What we need to be implementing in our students is that agility around problem-solving, curiosity, ability to collaborate and self-discovery, especially when you consider that the majority of the jobs for students who are in school right now don’t exist yet. This is about instilling the skill sets around learning agility that we are creating in our students of the youngest of ages.

So you’re preparing students for the unknown related to future jobs and advanced technologies. You’re giving them the confidence and proficiency to figure out what will come next in terms of an ever-changing business world.

That’s exactly right. In addition, we’re working with educators because we need an army of them that understand how to deploy these kind of practices that enable exactly what you’re talking about as well as what is the design of schools that enable our students to thrive in any type of environment.

Let’s talk about resources, which is always challenging for schools. How much does your program cost? How is it made affordable to schools?

So, one of our programs enables schools to do this in a stair-step fashion. It’s about $75,000 over an 18-month period. That’s really over two budget cycles. What we’ve found is an important element of ownership at the school level. We have them contribute a little less than half toward that contribution. Then we supplement the balance through philanthropy. Ultimately, we’ve set up an investment for professional learning and leveraging some education technology resources. What you have is a sustainable model.

Creating A Diverse Pipeline For The Tech Space

I talked with John Thompson, chairman of Microsoft, a while back, and he shared the fact that there is a shortage of workers in the tech space. Assuming that trend continues, more African Americans and Latinos will be required to become more tech proficient to fill that void. In that context, has LEAP been able to attract major corporations as partners?

I think the corporations play a critical role in the process. I’m thankful to John for making the connection. You see all the projections on the skills we have, right? If you even consider the top students that have graduated, 50% of them are working in jobs that don’t require a college degree. That is a severe mismatch. We have had a number of corporations provide philanthropy support. I think the next level, to your point, is connecting corporations to the student pathways. We have some examples of that that need to be scaled.

Lindblom High School, which also happens to be my alma mater, is a school that we’ve worked with for a number of years to transform their model into personalized learning. What they’ve done is created colloquiums for students [tied to] their interests and passions. They’ve had students that are involved in biotech in which they have a partnership with Baxter International. There’s a club and a program with the corporation involving students—some of whom have received internships. Same thing on the cybersecurity level.

The lines are going to blur in the future, and they absolutely have to do better in connecting the needs of future economy and corporations to how the K-12 system is preparing students. We’ve got to really drive these linkages. We can’t do it without addressing the talent pipeline in the African American community. We’re never going to get there as a country.

Do you envision LEAP developing that corporate pipeline through a partnership with HBCUs in the future?

Absolutely. It’s a must. In Chicago, only 19% of our students who graduate go to college and earn a degree. There’s something that is structurally off. I think that system worked really well for our parents’ generation, even ours, because the construct of the economy was different. This new one is going to require a very different construct. LEAP is engaged, and our passion and priority is to ensure that we are ushering in how that new construct can work. We are creating a bridge for that so that our kids can get access to the American dream, ultimately.



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Ighalo: 'I took pay cut to secure Man Utd move'

Odion Ighalo says he was so desperate to join Manchester United he took a pay cut to make the deal happen.

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Lesotho First Lady Maesaiah Thabane charged with murdering rival

The prime minister's wife is formally charged with murdering her husband's previous wife in 2017.

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In the Land of Big Tech Outposts, a Push for More Housing

A San Francisco ballot measure would reduce commercial construction if the city doesn't meet state targets for affordable housing.

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The Small Miracle of Immigrant Stories on TV

New shows like *Little America* resist the lazy impulse to treat the immigrant experience as fringe. The result is meaningful, powerful television. 

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Ex-Norway international Pa-Modou Kah wants to coach The Gambia

Former Norway international Pa-Modou Kah dreams of one day coaching, the country of his birth The Gambia.

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Fifa bans Ugandan player for life for 'match manipulation'

Fifa bans a Ugandan player for life and three Kenyans for four years each for involvement in 'match manipulation'.

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Peter Mutharika: Malawi president to contest election ruling

Malawi's Constitutional Court annulled last May's election result on Monday, citing irregularities.

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Tuesday, February 4, 2020

EXCLUSIVE CLIP: Robert Townsend discusses Black cinema in ‘They’ve Gotta Have Us’

Netflix is serving up tons of fantastic new content just in time for Black History month and the upcoming docuseries They’ve Gotta Have It is not to be missed.

The three-part docuseries was acquired by Ava DuVernay’s ARRAY and will premiere on February 5 on Netflix.

Here are 8 ways Ava DuVernay OWNED the decade

In it, UK-based artist, photographer, broadcaster, and filmmaker, Simon Frederick highlights the impact of art, activism, and race on Black cinema. It features in-depth interviews with some of Hollywood’s most iconic voices including Harry Belafonte, Diahann Carroll, John Singleton, Robert Townsend, David Oyelowo, John Boyega, Kasi Lemmons, and Barry Jenkins among others.

The series also includes clips from and commentary about such seminal films as Carmen Jones, Claudine, Lilies of the Field, Do The Right Thing, Boyz in the Hood, Hollywood Shuffle, Black Panther and Moonlight.

“As a company whose mission is to amplify voices of people of color, They’ve Gotta Have Us speaks directly to our highest ideas of inclusion, cultural context, and community. Not only are we introducing an exciting artist like Simon Frederick to a new audience, but his project shares the stories of Black Cinema’s most influential filmmakers and actors,” said ARRAY President Tilane Jones. 

Check out the exclusive clip:

They’ve Gotta Have Us premieres February 5 on Netflix.

The post EXCLUSIVE CLIP: Robert Townsend discusses Black cinema in ‘They’ve Gotta Have Us’ appeared first on TheGrio.



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The US Fast-Tracked a Coronavirus Test to Speed Up Diagnoses

The FDA has given emergency authorization to a new test that promises to help public health labs meet a potential surge in cases.

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The Saving Grace of the Iowa Caucus Debacle

A technical fiasco in a small state, early in the season, minimizes the consequences. The question is how election officials will respond as the stakes rise.

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Malawi election: What the annulment means for democracy across Africa

Malawi's presidential election will now be re-run under new rules after judges annulled the 2019 vote.

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R. Kelly’s ex-girlfriend Azriel Clary reportedly working with Federal authorities

Last month R. Kelly’s now ex-girlfriend Azriel Clary left the singer’s home and went back to stay with her loved ones. Now the young woman has reportedly started working with federal authorities in New York assigned to his federal sex crimes case.

In the past, Clary was a vocal proponent of Kelly’s innocence. However, according to TMZ sources close to the case claim, she has now completely stopped supporting the singer and is singing like a canary about what she knows.

READ MORE: R. Kelly’s ex-girlfriend claims the singer has “hundreds of victims” in cities across America

Although she was allegedly hesitant to cooperate with federal agents in the past, sources say the young woman has since come to the conclusion that the entertainer manipulated her and hundreds of other women. She now wants to do her part to put an end to his antics.

This new stance comes on the heels of a violent physical altercation that took place in January between her and Kelly’s other girlfriend Joycelyn Savage. The whole incident was caught on Instagram lived and led to Savage receiving a battery charge.

READ MORE: Witnesses reveal R. Kelly only married Aaliyah to avoid prosecution, feds say

Complicating matters is the fact that Clary signed an NDA with Kelly, which has understandably exacerbated her fears of being hit with legal retaliation. However, she’s willing to take that gamble because she wants to finally “take control of her life.”

Since reconciling with her family, Clary has received death threats from R. Kelly’s online fanbase and fears for her safety. As a precautionary measure prosecutors have been monitoring the threats made against her and several other alleged survivors of Kelly’s abuse.

“We are surprised to learn that Ms. Clary is now making these allegations. Restricted by the protective orders the prosecution requested, we are not able to litigate these matters in the press. However, the information provided is directly contrary to facts that have been brought forward by Ms. Clary in the past,” Kelly’s lawyer, Steven Greenberg, said last month to The U.S. Sun.

“The facts she is now reciting are directly contrary to her numerous other accounts, as well as —in certain instances— what we expect to be the documentary proof from sources not involved in any of the pending cases. In sum, Ms. Clary had a long-term consensual relationship with Mr. Kelly. It continued after he was arrested when she was free to do as she wished. It is clear that she now seeks to benefit from their relationship. The allegations are not true.”

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